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Samuel Palmer

      1805-1881 British Samuel Palmer Galleries English painter, draughtsman and etcher. Palmer was a key figure of English Romantic painting who represented, at least in his early work, its pastoral, intuitive and nostalgic aspects at their most intense. He is widely described as a visionary and linked with his friend and mentor William Blake, though he stood at an almost opposite extreme in his commitment to landscape and his innocent approach to its imagery. He had none of Blake irony or complexity and was inspired by a passionate love of nature that found its philosophical dimension in unquestioning Neo-Platonism.

Samuel Palmer The Sleeping Shepherd painting


The Sleeping Shepherd
new2/Samuel Palmer-922385.jpg
Painting ID::  26389

  mk49 c.181-2
   
   
   

Samuel Palmer

      1805-1881 British Samuel Palmer Galleries English painter, draughtsman and etcher. Palmer was a key figure of English Romantic painting who represented, at least in his early work, its pastoral, intuitive and nostalgic aspects at their most intense. He is widely described as a visionary and linked with his friend and mentor William Blake, though he stood at an almost opposite extreme in his commitment to landscape and his innocent approach to its imagery. He had none of Blake irony or complexity and was inspired by a passionate love of nature that found its philosophical dimension in unquestioning Neo-Platonism.

Samuel Palmer The Sleeping Shepherd painting


The Sleeping Shepherd
new2/Samuel Palmer-225356.jpg
Painting ID::  26399

  mk49 c.1834-5 Tempera and oil over chalk with scratching out on board laid down on panel 38.1x51.4cm
   
   
   

Samuel Palmer

      1805-1881 British Samuel Palmer Galleries English painter, draughtsman and etcher. Palmer was a key figure of English Romantic painting who represented, at least in his early work, its pastoral, intuitive and nostalgic aspects at their most intense. He is widely described as a visionary and linked with his friend and mentor William Blake, though he stood at an almost opposite extreme in his commitment to landscape and his innocent approach to its imagery. He had none of Blake irony or complexity and was inspired by a passionate love of nature that found its philosophical dimension in unquestioning Neo-Platonism.

Samuel Palmer The Sleeping Shepherd painting


The Sleeping Shepherd
new2/Samuel Palmer-993579.jpg
Painting ID::  26428

  mk49 c.1854 Watercolour,gouache,gum arabic,brown ink and traces of graphite on off-white wove paper laid down onto secondary support
   
   
   

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